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Humanities and the (med school) curriculum
Some of you may have seen the article At Some Medical Schools, Humanities Join the Curriculum in Monday's New York Times.
Prompted by the fact that
Three years ago, the Mount Sinai School of Medicine began an art-appreciation course for medical students, joining a growing number of medical schools [like "Yale, Stanford Cornell and a few other medical schools"] that are adding humanities to the usual forced march of physiology, pathology and microbiology
this article documents several students' experience in and (potential) use of a visit to the Met.
Perpetually riddled with status anxiety about our role in the university, should we view such an "addition" as validation? as promising? as (well-deserved or -needed) promotion?
I suppose I read this "news" differently. As though it's almost not news.
Quickly, it becomes clear that the use-value of humanities is precisely that they provide another skill or techne, a way of seeing "the art of looking" as instrumental "to the practice of medicine" because "at least one study, published in The Journal of the American Medical Association in 2001, has found that looking at painting and sculpture can improve medical students' observational abilities."
Now it shouldn't surprise us that the humanities are being instrumentalized, even if some romantic disciplinary hope wants to hold out against such instrumentalization (in order to set, say, English against, say, business majors). And even if there's something suspicious in the Bloomian hope for an ethic of learning for learning's sake, there's (equally) something supremely characteristic about our mode of production in the instrumentalization of everything, in the subordination of all "means" to other "ends."
Which is why I say it shouldn't surprise us that the work of humanities, too, is being made into a means to another end. (In our capitalist mode of production, all work must be seen as separate from its product, a view inevitably consequent from the mode that alienates the worker from the product of h/er work.) And so it is only a matter of time before the real purpose (or value) of the addition of liberal arts courses to the medical school curriculum surfaces: Such an addition
could also, wrote Dr. Irwin Braverman, a Yale medical professor and an author of the [JAMA] study, eventually help apply some salve to that long suppurating wound, health-care costs. "With heightened observational skills," he wrote, "physicians can often ask the questions necessary to make correct diagnoses without relying too much on costly blood tests and X-rays."
[Edit (4/26): I've cross-posted this to take up another (non-pedagogical) line of discussion.]
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Random notes on a cool discussion
Holy cats, but this is a fascinating discussion regarding the instrumentalization of interpretation....
I don't think that I can keep track of all the boundaries established and crossed in these remarks and comments. We have disciplinary boundaries, given proper allegorical identity: English, Business, Biology, Medical Studies. We have modes of interpretation and reading: idealist, materialist, New Critical interpretive strategies (maybe more buried in the mix). We also have what might be called institutional non-critical self-reflection (bear with me here), such as dear Dr. Braverman noting how "heightened observational skills" would assist in making "diagnoses." I'm sure that a dean somewhere thought this was (is) a good idea-
-I think that disciplinary boundaries are crossed all the time, but perhaps not in ways that are institutionally sanctioned. But it also makes me curious as to how we align these disciplinary boundaries with the modes of interpretation that we associate with them: New Criticism, it seems, is a kind of anatomical reading of texts (no surprise, given the New Critics fascination with the metaphysical poets, who were, if I recall correctly, supreme craftsmen), and we find nice, neat bodies of texts with their objective correlatives (good form, one might say). In the English QE, aren't students required to do just this with a text? And, BTW, New Criticism came along when American universities were trying to train all their students how to read literature. You could pick up a Donne sonnet in the middle of the street, and, not knowing anything about him, find out what the poem meant simply by reading at the text and being armed with New Criticism. This, it seems to me, is the heritage of English studies in American universities, and that's what we gotta deal with all the time.
-"It shouldn't surprise us that the humanities are being instrumentalized, even if some romantic disciplinary hope wants to hold out against such instrumentalization (in order to set, say, English against, say, business majors)." Ought we not to look at who is doing this? This sentence makes it seem as if it is a historical necessity that "the humanities" and art are being put to use and appropriated, and that works of art are things of the past. I'm not quite sure if it is more Hegelian or Marxist, actually, but maybe I'm confused (which wouldn't surprise me). What would Walter Benjamin, for example, say about all this?
-And I'm double-curious as to what paintings would be adequate (in Kantian terminology) for med students who are trained to see anatomically. Or what literature (novels, poems, epic poems, etc.) would be "good for" med students. Move past Dante's Inferno, Shelley's Frankenstein, students, nothing to see here... Odd fact that only I may find interesting: the word "scientist" officially entered the English language after Frankenstein was published (it sounds crazy, I know, but check the OED).
I see this as a definite
I see this as a definite step in the right direction, especially if art teachers are directly involved in this kind of curricular change. This course is taught by art educators - not doctors (this may seem obvious, but it's a detail that I went hunting for).
Also, I wonder if this statement in your post does not foreclose a whole BUNCH of possibilities:
It might be significant that you put this statement in parentheses...does this signal some unease? If your statement is true, aren't we just confined to different ways of conceiving of work?
Call me an idealist, but I'd like to think we can at least try to think about the humanities as a different way of thinking about thinking, rather than just a different way of thinking about work. Yes, this program is already being talked about in terms of how it can drive down costs, etc. But aren't there other things going on here too, such as doctors learning different modes of interpretation? Aren't these other things important and worth consideration?
Okay: You're an idealist...
...and I'm a materialist, which is why the answer to "If your statement is true, aren't we just confined to different ways of conceiving of work?" is Of course. To quote from Marx's humanist 1844 writings:
So, yes, what humans do is work--even when they form art.
I put the statement in parentheses to indicate that I realized it wasn't a post about capitalism, but that of course that it couldn't be a post that escaped capitalism, that wasn't inflected by capitalism...
And yet...despite our different angles into this issue of the use of humanities, I don't think that means we have to disagree about whether or not more humanities education is a good thing. I can't (parenthetically or otherwise) critique capitalism if my courses aren't taught.